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Letters on Occult Meditation - Letter VII - The Use of Color and Sound
September 11, 1920 We come now to the final part of our thoughts on the use of color in meditation. We have dealt with the matter in such a way that if the hints that are scattered throughout the communication are adequately followed up they will form the basis of certain inevitable conclusions. These conclusions will eventually prove to be the postulates upon which the newer schools of medicine or science will base the continuance of their work. We might sum up the imparted data under definite statements: That the basic colors of the Personality must be transmuted into the colors of the Triad, or the threefold Spirit. This is effected by the truly occult meditation. That the colors with which the beginner will be primarily concerned are orange, rose and green. That the violet ray holds the secret for this immediate cycle. [249] That the next point of apprehended knowledge will be the laws governing the etheric body. That in the development of the intuition comes cognizance of the esoteric colors which the esoteric veil. That color is the form and force of virtue (in the occult sense) in the inner life. I have summed up the practical points requiring immediate attention for the purposes of clarification. With this as the basis of study the student may expect eventually to see the complete transformation of the type of work done both by the schools of medicine and by chairs of psychology. Certain prophecies I may here make which you can note down for the benefit of those who may come after.
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