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Letters on Occult Meditation - Letter VII - The Use of Color and Sound
Enumeration of the Colors August 29th, 1920 Tonight we must continue our study on color and take up our first point. In doing this I will make certain comments and give you certain data, impressing upon you nevertheless again the fact that I use the esoteric terms, and that the discussion [211] is but for suggestive purposes. The very use of the word "color" shews the intention, for, as you know, the definition of the word conveys the idea of concealment. Color is therefore "that which does conceal." It is simply the objective medium by means of which the inner force transmits itself; it is the reflection upon matter of the type of influence that is emanating from the Logos, and which has penetrated to the densest part of His solar system. We recognize it as color. The adept knows it as differentiated force, and the initiate of the higher degrees knows it as ultimate light, undifferentiated and undivided. We enumerated the colors yesterday and in a certain order. I seek again to enumerate them thus, only this time reminding you that the one Ray of which all the others are but subrays, might be regarded as a circle of sevenfold light. Too apt is the student to picture seven bands, striking down athwart the five lower planes till they contact the earth plane and are absorbed into dense matter. Not so is it in fact. The seven colors may be regarded as a band of seven colors circling and continuously shifting and moving through the planes back to their originating source... These seven bands of color emanate from the synthetic Ray. The indigo subray of the indigo Ray forms the path of least resistance from the heart of densest matter back again to the source. The bands of color form a circulating ring which, moving at different rates of vibration, passes through all the planes, circling down and up again. What I seek to bring out specially here is that these seven bands do not all move at the same rate, and herein lies hid the key to the complexity of the matter. Some move at a swifter rate of vibration than do some of the others. Hence - as they carry their corresponding monads with them - you have here [212] the answer to the question as to why some egos seem to make more rapid progress than do some others. These colored rings do not follow a straight unimpeded course, but interweave in a most curious manner, blending with each other, absorbing each other in stated cycles, and grouping themselves in groups of threes or fives, yet ever moving onwards. This is the real foundation to the diamond pattern upon the back of the serpent of wisdom. Three major lines of color should be portrayed as forming the lattice work on the serpent's skin, with the four other colors interweaving. Some day some student of color and of the Divine Wisdom should compile a large chart of the seven planes, and superimposed upon those planes should be placed a seven-colored serpent of wisdom. If correctly drawn to scale some interesting geometrical patterns will be found as the circles cut across the planes, and some impression will be conveyed occularly of the complexity of the matter of the seven rays... Certain brief statements seem to be in place: The true indigo is the blue of the vault of heaven on a moonless night. It is the culmination, and at the attainment by all of synthesis, the solar night will supervene. Hence the color corresponds to what the sky nightly proclaims. Indigo absorbs. Green is the basis of the activity of Nature. It was the synthetic color for system 1, and is the foundation for the present manifested system. The note of Nature is green, and each time a man reviews the robe in which the earth is clad he is contacting some of the force that reached its consummation in system 1. Green stimulates and heals. I seek to call your attention here to the fact that it is not yet permissible to give out the esoteric significance of [213] these colors, nor exact information as to their order and application. The dangers are too great, for in the right understanding of the laws of color and in the knowledge (for instance) of which color stands for a particular ray lies the power the adept wields.
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