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Discipleship in the New Age II - Teachings on Initiation - Part V
The Formulas As I told you in my last Instruction, the meaning and even the format of these formulas are so difficult to convey in words that I have hesitated several times in proceeding even with so brief an attempted elucidation on the subject. But even if I can convey but little of their significance, I can at least build in your minds the concept of these formulas. They are second ray presentations of soul ideas. We are told that God geometrizes, when referring to the activity of the second aspect, and that a subtle geometrical form lies behind the exoteric manifestation. These forms convey to the occult student the symbolism of the world of meaning. Behind the mathematics and the geometrical designs, and behind the numerology which attempts (hitherto quite unsuccessfully) to convey the truth, but which in a mysterious manner conditions the creative work, are certain formulas which - as I have pointed out - express significance, intention, meaning. With three of the formulas we have spent a short time in consideration. Broadly speaking, these three condition the evolutionary process through the forms which are the result of the correct use of these formulas in such a way that a directive is given. I know not how else to express it. The three directives, therefore, already dealt with, embody and express the oldest invocative appeal in the world and (because of the age of this appeal) these three formulas have given a direction that naught can offset; the resultant conditions are inevitable: [305] Formula I - Lead us from darkness to Light. Formula II - Lead us from the unreal to the Real. Formula III - Lead us from death to Immortality. This brings us to a statement of the next formula and a consideration of its meaning: Formula IV - Lead us from chaos to Beauty. This formula is presented in the form of a symbol - one which is in such constant movement that it is most difficult to describe or to make it live before you. There lies before the investigator a square or oblong, composed of a kaleidoscopic mass of inchoate colors, moving, pulsating and in constant indescribable confusion. Superimposed upon this square is a radiant sun with a penumbra composed of the seven prismatic colors; these radiate from the sun in regular rhythmic bands and produce a marvelous blaze of color. The background of the square appears to have its confusion of colors shown of a heavy, brilliant kind and quality; the scheme of beauty emerging (even if it appears as superimposed) is translucent and delicate and radiantly living in hue. The heavier background can be distinctly seen through the translucence. This formula differs according to the polarization of the one who visions it and who studies it. If he is focused in the personality, and is therefore conditioned by his personality ray, one type of energy will impinge upon his consciousness; if he is soul conscious and soul focused, another type of energy will have its effect. Thus two different pictures will emerge. Both will be correct, but the interpreting agent will be different. This formula, if carefully considered and studied for a number of years, will become a key form by means of which aspects of the creative process will come to the attention of the student, plus revelation as to some of the divine objectives which are wider and of greater and richer implication than has yet been realized. I would here remind you that these formulas are not symbols of what already is, but are [306] indicatory key forms of what may or shall be - a very different matter and one which you should bear in mind. They are symbols of the future and not of the past; they are predictive and not consummating; they reveal what is on the way as the result of the divine thought and are not pictorial presentations of what already is. Therefore, they are not easy to grasp and interpret, because it is only the activity of the intuition which will enable you to understand and move forward into the new impulsive causal area. Difficult though this task may be (and, my brother, is), it is of major importance to disciples in training for initiation, because it will steadily tend to facilitate their entry into the world of causes and their emergence from the world of effects. You can see also from this that this formula is related to the Law of Karma; in fact, in the ancient records from which these formulas are taken, Formula IV has the symbol of one of the four Lords of Karma at the four corners of this square or oblong design. This formula is sometimes called that of "the Sun upon the Square." I have no more to say anent this theme at this time or about this formula in this Instruction. All that I am giving you is intended to be suggestive and to develop in you the power to use the interpretive sense - one of the new senses as far as experience and experiment are concerned, but which is latent in every man.
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